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Showing posts with label Film 2016. Show all posts
Showing posts with label Film 2016. Show all posts

Dec 27, 2016

Film Review: Top 20 Films 2016 (10 - 1)

Top 20 Films of 2016 10-11 Popcorn and Glitter
When I started putting my Top 20 Films of 2016 together, I was convinced that this year had been a tough one for cinema. However, as I enter in to my final 10, I realised that maybe it had some real gems afterall - even if it took some digging. After some thought, here's the final countdown of my Top Films of 2016 from 10 to 1*.  

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10. Free State of Jones (Gary Ross, 2016) - Based on true events in Mississippi 1862, a farmer and medic for the Confederate Army, Newton Knight (Matthew McConaughey), flees his position - branding him an enemy of the State. Opposed to racism, slavery and having witnessed the horrors of war, Newt returns home to Jones County - leading an almighty rebellion of slaves and the working class which will go down in history.

Equipped with all the tools for Oscar recognition, Free State of Jones is an incredibly moving, all-guns-blazing portrayal of a man who brought down the State. McConaughey delivers another stellar performance in this hugely political statement on America’s violent past, with whom the values stand just as strong today.

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9. A United Kingdom (Amma Asante, 2016) - A true-life romance in which Ruth Williams (Rosamund Pike), an English office clerk, falls in love with an African gentleman (David Oyelowo) at a time of civil rights hostility in 1940's Britain. Unaware that he is Prince Seretse Khama of Botswana, the couple shocks the world when they marry and start a family but upon return to Seretse's country, their relationship faces even greater prejudice.

Amma Asante shows again her talents to seamlessly blend a personal narrative with a hugely political one. Much like with Belle (Asante, 2013), she is able to take a cinematic platform, shoot it beautifully and still showcase it as a film with real purpose. To be expected, Oyelowo (perhaps best known for his role as Martin Luther King. Jr in Selma, 2014) and Pike deliver stunning performances which adds only to this already powerful story. A United Kingdom will leave you with goosebumps.

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8. The Hateful Eight (Quentin Tarantino, 2015) - In the dead of a Wyoming winter, a bounty hunter, John "The Hangman" Ruth (Kurt Russell) and his prisoner, Daisy (Jennifer Jason Leigh) find shelter from a blizzard. The cabin is inhabited by a collection of nefarious characters including a fellow bounty hunter (Samuel L. Jackson) and a man who claims to be a sheriff. Greeted by four other strangers, and with a high bounty on Daisy's head, the eight travellers soon learn that they may not make it to their destination alive.

Having had the chance to see this projected in 70mm, it's safe to say that The Hateful Eight is one of the most visually stunning of 2016 and Tarantino films to date. Whilst a western is far different from any genre he's explored previously, The Hateful Eight is pure Tarantino - through and through. Jam-packed with an all star cast (some familiar and some new), it makes for an all guns-blazing, thrilling addition to Tarantino's budding CV. 

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7. Room (Lenny Abrahamson, 2015) - Five year old Jack (Jacob Tremblay), knows life only inside the four walls of Room - a squalid shed he shares with his mother, Joy (Brie Larson). Unaware they are captive, when the pair are suddenly freed, he is forced to discover a strange new world outside of the one he has become accustom while Joy struggles to adjust to her old life.

Frank (2013) director, Lenny Abrahamson, returns with yet another skilful masterpiece but with a far darker narrative. Whilst it is ultimately a fantastic film, it's not one you might wish to watch again and again. Told through the eyes of a child who is the result of his mother's rape, at times Room can be both heartbreaking and up-lifting through Jack's ability to find joy in the smallest of things. Of all the nominees for Best Actress at the Oscars this year, Brie Larson was by far the most deserving to win. Along side an incredibly talented young Tremblay, she shines and displays such diversity in her abilities. With a fantastic cast and wonderfully adapted screenplay, Room is as harrowing as it is beautiful and well deserving of a spot on the Top 10 films of 2016.  

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6. Moana (John Musker, Ron Clements, 2016) - A Disney adventure following the story of Moana Waialiki (Auli’i Cravalho) - the teenage daughter of a chief on the small Polynesian island of Motunui. With the island's resources running out, Moana embarks on a seemingly impossible mission across the sea to find demigod, Maui (Dwayne Johnson), and return the heart to the goddess Te Fiti. In doing so, she proves herself a master wayfinder and fulfils the unfinished quest of her ancestors. 

Moana is a rare and much needed celebration of Polynesian culture and there are so many factors which make it groundbreaking. Firstly, Moana is not a Disney princess - she is a daughter of a chief and, as such, is expected to lead her people. She does not have a love interest, nor does she need a male role to save her - she is entirely her own person. If you want to dig a little further, you may also find some very interesting feminist theories surrounding the role of the goddess Te Fiti. Throw in some incredibly catchy songs written by Broadway legend Lin Manuel Miranda; stunning visuals, a talented cast of Polynesian/Hawaiian actors, excellent writers (including Taika Waititi) - you've got yourself one incredible Disney classic and a stand out film of 2016. Watch out for those Disney easter eggs while you're at it. 

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5. Hell or High Water (David Mackenzie, 2016) - Toby (Chris Pine), a struggling single father, and his ex-convict brother, Tanner (Ben Foster), plan a series of heists against the bank that's about to foreclose on their ranch in a bid to protect the future of their family. However, it is not long before they raise the suspicions of Marcus (Jeff Bridges), an ageing Texas Ranger looking to go out in a blaze of glory. As the pair prepare for their final robbery, they brace themselves for a showdown.

This is not your average bank robbers and cowboy movie. Directed by David Mackenzie, Hell or High Water is a crime thriller steeped in nostalgia and melancholia. Besides some excellent performances from Bridges and Pine, it's made all the more enjoyable with beautiful cinematography; stunning shots of big, empty skies and horizontal landscapes. Bound to be picked up at the 2017 Oscars, Hell or High Water is a must-see film of the year. 

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4. Nocturnal Animals (Tom Ford, 2016) Susan (Amy Adams) is a successful art-gallery owner living in Los Angeles who is disturbed by the arrival of a manuscript written by her first husband (Jake Gyllenhaal). Telling the brutal story of one family's nightmarish road trip and a father's quest for revenge, the manuscript forces Susan to confront some dark truths.

With fashion designer Tom Ford as director, at the very least we expect stunning visuals and at no point does Nocturnal Animals disappoint. It's been another glorious year for Adams who shines alongside a mesmerising Jake Gyllenhaal and the ever-talented, Michael Shannon. Though this features some truly disturbing scenes, they are each executed with precision by Ford. Artfully composed, Nocturnal Animals oozes style - steeped in noir whilst maintaining a well-balanced narrative pace. I'll be surprised if this isn't picked up by the Academy in 2017, even if it's just for cinematography but Nocturnal Animals is not one to be missed. 

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3. The Revenant (Alejandro González Iñárritu, 2015) - In 1823, legendary fur trapper, Hugh Glass (Leonardo DiCaprio), aids an expedition in the uncharted American wilderness. Having  survived a vicious bear attack, Glass is abandoned by his hunting team and believed dead. Broken but fuelled by vengeance, he treks through the wintry, harsh terrain trailing John Fitzgerald (Tom Hardy), the former confidant who betrayed him.

It's hardly surprising that this film was rewarded twelve Oscar nominations. Considered primarily as an art-house film for the masses, shot by shot The Revenant is beautiful whilst the cast are what makes it truly believable and hard-hitting. Criticised for being style over substance, I do not believe that a narrative has to be overly complicated in order to be a good one. True, it is a story of a man looking for redemption whilst battling the terrain, but it's the journey which makes it truly spectacular. Though not entirely without its flaws (being nearly 3 hours long it did feel it could lose perhaps lose fifteen minutes or so from the running time), it had to be on the Top end of my list. Read my full film review here. 

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2. Rogue One: A Star Wars Story (Gareth Edwards, 2016) - Led by ex-convict, Jyn Erso (Felicity Jones), a group of rebels band together to plot and execute a dangerous mission which involves stealing the plans for the Empire's weapon known as a Death Star in a bid to save countless lives.

It had to be on there, didn't it? If you prepared yourself for an imitation of Star Wars: The Force Awakens, you will be sadly disappointed. Rogue One is a prequel to A New Hope (George Lucas, 1977) and in true styling of the 70's classic, it is a far darker narrative but with that added Star Wars charm. Arguably, Rogue One's actual story and character development is brushed over in comparison to Force Awakens. Instead, a great deal of he backstory runs on assumed knowledge from the spectator although that is not to say you have to be a Star Wars face to enjoy it. But it does make the Easter eggs all the sweeter if you do. Felicity Jones delivers an acceptable performance but it is the fantastic story and stunning visuals which make this truly fantastic - including the striking resurrection of actor legend, Peter Cushing. Focussing far more heavily on action scenes, is arguably the ultimate Star Wars fan film and a triumphant standalone.

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1. Hunt for the Wilderpeople (Taika Waititi, 2016) - Having moved out of the city, a young reprobate by the name of Ricky Baker (Julian Dennison) and his reluctant foster father, Hec (Sam Neill), finds themselves at the centre of a ruthless manhunt after they get stranded in the New Zealand wilderness. 

Did you guess it? Hunt for the Wilderpeople stood out to me as a truly remarkable film of 2016. Whilst it was primarily sold as a comedy, there is also a great deal of heart and depth to this refreshing narrative. Based on the book by Barry Crump, the film's tone of voice differs greatly from any of Waititi's previous works but there are constant reminders of his auteurism. We see the return of many familiar faces including Rhys Darby and, of course, the man himself as a church minister (in possibly one of the most amusing scenes in the entire film). With a stunning cast, excellent script and cinematography, it's no surprise to me that Hunt for the Wilderpeople is the most successful film to come out of New Zealand to date. It is officially my number 1 film of 2016 - another genuinely enjoyable, stunning triumph for indie director, Taika Waititi. Read my full review of Hunt for the Wilderpeople here. 
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That's it for my Top 20 Films of 2016 - where did the year go? So with another year of film having passed us by, tell me - what were your favourite films of the year? Do you agree with my list? As always, I love reading your comments so please do leave me lots of lovely ones down below. Didn't see the first part of my Top 20? Click to view 20-11 here. 

Until next time movie-goers, a very Happy New Year to you all, 



*This list is based on films released in the UK from January 1st to December 31st. 

Dec 23, 2016

Film Review: Top 20 Films of 2016 (20 - 11)

Top 20 Films of 2016 Popcorn and Glitter
It's time - I can finally share my favourite films of 2016. In previous years, I've struggled somewhat to narrow it down to just five films and so I've decided to crank it up a notch. With so many excellent films successful each in their own way, here's my Top 20 Films of 2016 from 20 to 11*.

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20. The Nice Guys (Shane Black, 2016) - Set in 1977 Los Angeles, a washed up private eye, Holland March (Ryan Gosling) comes to meet a hired enforcer (Jackson Healy played by Russell Crowe), under unfortunate circumstances. Forced to put their differences apart, the pair must form an unlikely partnership after a young woman named Amelia (Margaret Qualley) mysteriously disappears.

I had expected big things from The Nice Guys and it did not disappoint. Directed by Shane Black, it oozes with retro mise-en-scene and wit, executed brilliantly by two leading men with some serious chemistry. With excellent performances from both Gosling and Crowe, it's surprising that this beautifully stylised satire went under the radar in 2016. The Nice Guys goes straight in at number 20 on my Top films of 2016.

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19. Captain America: Civil War (Anthony and Joe Russo, 2016) - Captain America: Civil War is the second sequel and a follow up to Winter Soldier. The plot follows a political interference between the Avengers, causing a rift between former allies, Captain America (Chris Evans) and Iron Man (Robert Downey Jr.). Caught up in the feud, the other superheroes must pick a side and defend the future of the Avengers and the future of Shield.

This film is special to me for a number of reasons. In 2016 I was given the opportunity to interview the cast at the European Press Conference. As with most Marvel productions, there was an enormous amount of hype leading up to the release of Civil War and it certainly did not disappoint - Civil War is perhaps one of the best Marvel films to date and not just because the cast make for such lovely people. Read my post from the film's European Press Conference here.

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18. 10 Cloverfield Lane (Dan Trachtenberg, 2016) - Michelle (Mary Elizabeth Winstead) wakes up in an underground bunker with two men, believing herself to being held captive by Howard (John Goodman). She soon learns that America has come under an apocalyptic attack and prepares herself to settle into life underground but is about to discover that not everything is as it seems.

With twists and turns at every corner, 10 Cloverfield Lane does a fantastic job of showing us how reasonable doubt can be a powerful narrative tool. With  an outstanding perfomance from Goodman, the film makes for a very impressive directorial debut from Dan Trachtenberg) - a 2016 must-see. Read my full film review here.

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17. The Neon Demon (Nicolas Winding Refn, 2016) - Jealously ensures among a group of models when an aspiring 16-year-old, Jesse (Elle Fanning) takes Los Angeles by storm. Caught up in a fame and youth obsessed industry, both her innocence and vitality are devoured by a trio who will stop at nothing to possess her power.

In the true style of a Refn film, Neon Demon is as hard-hitting and disturbing as it is stylised. Love or hate Refn is a lover of shocking cinema and as a creative, spectators cannot question his ability to make film-goers feel and provoke response - whether that be fear, rage or disgust - they are all equally as valid. It is an ultra-stylised, narrative which will dazzle as much as it disturbs. Read the full film review here.

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16. Joy (David O. Russell, 2015) - As a child, Joy Mangano (Jennifer Lawrence) longed only to create and to be a successful inventor. Fast-forward a decade and, defying all the odds and despite the constant crushing blows from her well-meaning family, adult Joy pins all those hopes and every cent on a self-wringing mop which changes her life forever.

Joy saw Jennifer Lawrence bag a worthy Best Actress Oscar nomination although it can be argued that her performance held this film together. Thought not entirely without flaws, David O. Russell delivers yet another beautifully stylised production yet I couldn't help it had something missing.

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15. Hail, Caesar! (Joel and Ethan Coen, 2016) - In the golden Hollywood era, Eddie Mannix (Josh Brolin) is Capitol Pictures' works hard to cover up all of the studio's scandals. As if dealing with disgruntled directors and blood thirsty gossip columnists wasn't enough, Mannix faces his biggest challenge of all when the studio's biggest star, Baird Whitlock (George Clooney) is kidnapped for a $100,000 ransom.

The Coen Brothers return to write, produce and direct yet another superbly silly, dead-pan comedy. Hail, Caesar! is a triumph following the Coen's previously underrated picture, Inside Llewyn Davis (2013) which was snubbed by the Academy that year. However, unlike the darker narratives we may associate the Coen's with, Hail, Caesar! is a far more satirical piece which manages to successfully both playfully mock and pay homage to the gold age of Hollywood. With an outstanding cast, spectacularly silly humour, classic Coen editing and stunning visuals, it's no surprise that it naturally sits in my 2016 Top 20. Read my full film review here. 

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14. Arrival (Denis Villeneuve, 2016) - Louise Banks (Amy Adams), is a linguistics professor who leads an elite team of investigators when mysterious spaceships settle on Earth. With the United Nations concerned for their safety and on the verge of declaring global war, Louise and her crew must work against the clock to find why the extraterrestrial visitors are here. 

Arrival received mixed reviews from movie-goers in 2016 but personally I believe it to be an incredibly smart movie. The flm is a fresh take on the conventional sci-fi genre and will leave you guessing throughout. It grips you not with jump scares or CGI, but with the strength of its execution. Well worth a watch and it'll be interesting to see how the Academy address this come Oscar season. 

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13. War Dogs (Todd Phillips, 2016) - Set in Florida in 2005, David Packouz (Miles Teller) is a down-and-out massage therapist who becomes a multi-millionaire when he teams up with a high-school friend, Efraim Diveroli (Jonah Hill), supplying weapons to the U.S. government. 

War Dogs emerges as a true success for Phillips as he enters in to the realms of dramatic storytelling and in to the big boy leagues. Hill shines as an obnoxious hustler amongst a truly meaningful and compelling true story - even if it does lose itself in parts along the way. You can read my full film review here. 

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12. My Scientology Movie (John Dower, 2015) - Following a long-standing fascination with the US religion and ten years in the making, Louis Theroux explores the mysterious goings-on inside the Church of Scientology. Having had multiple requests denied to speak to the organisation  to directly, Theroux uses actors and ex-members to reenact some incidents people claim to have experienced whilst living within the Church. In a bizarre twist, however, it soon becomes clear that Scientologists are also making a film about Louis Theroux. 

In the true stylings of a Louis Theroux documentary, My Scientology Movie includes a solid dose of humour presented alongside immersive and informative filmmaking. There are some truly shocking moments as well as some genuinely hilarious scenes which makes this documentary too good to miss.

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11. Midnight Special (Jeff Nichols, 2016) - Eight year old Alton (Jaeden Lieberher) and his father, Roy (Michael Shannon) are forced to go on the run from the government and a cult when they learn of his remarkable special powers. With a stunning cast of actors, a wonderfully written screenplay and stunning cinematography, Midnight Special is an extraordinarily unique and soulful sci-fi. With scenes that pay homage to E.T and classic Spielberg, it is a tribute to ’80s classics but with a refreshing 21st-century twist. 
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That's it for Part I of my Top 20 Films of 2016 - do you agree with my list? What films are in your Top 20 films of this year? As always, I love reading your comments so please do leave me lots of lovely ones down below. Don't miss the second part of my countdown, view my Top 10 here...

Until next time movie-lovers,




*This list is based on films released in the UK from January 1st to December 31st. 
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